1941 GEORGE FORMBY 78 THE LEFT HAND SIDE OF EGYPT EX+

The show business career of George Formby spanned exactly FORTY YEARS, beginning in 1921 until his death in 1961. During that period he appeared in 21 hit films, cut over 230 records, made hundreds of stage performances, appeared in two Royal Command Performances and entertained an estimated THREE MILLION Allied Servicemen and women during World War II throughout Europe and the Middle East. Although he never performed in the U.S.A. he did make personal appearances and was quite popular in Canada, Australia, New Zealand and South Africa.

By 1939, George Formby was the most popular and highest paid entertainer in the British Isles and was estimated to be earning over £100,000 a year. The secret of his success was a unique combination of personality, natural ability and talent coupled with the driving force of his wife, Beryl as his Manager. With his natural human warmth and friendliness, George could hold a live audience in the palm of his hand as he sang and played the ukulele in his own inimitable style. He seemed to have the ability to make people enjoy what he did, and his audiences always called for more.

George Formby helped write and perform over 300 original songs, largely flavoured with his own brand of English North Country humour. He was well known for playing the Banjo Ukulele, a hybrid instrument combining the Hawaiian ukulele and the big American Banjo, which had been invented by Alvin D. Keech and christened by him as the 'Banjulele'

The story behind George's rise to popularity in show business is an interesting and fascinating one. He was born George Hoy Booth on 26 May 1904 in Wigan, Lancashire. He was the eldest of seven children having four sisters and two brothers. His father, George Formby Senior (real name James Booth), was already a famous stage actor and comedian when young George was born. He never wanted any of his family to enter show business and so young George was sent to become an apprentice jockey at the age of seven years. He rode his first professional race at the age of ten and weighing only three stones thirteen pounds. When his father died suddenly in 1921, encouraged by his mother and being too heavy to continue horse racing, he decided to follow in his father's footsteps. Calling himself George Hoy (his mother's maiden name) he took to the stage using his father's material. The results were disastrous. After a couple of years learning the business and getting married to Beryl, he met a fellow actor who strummed a Banjo Ukulele for fun between shows. He sold the instrument to George for £2.50 and George quickly learned a couple of songs. Accepting a bet that he dare not use the Banjo Ukulele in his act, George played it at the Alhambra Theatre in Barnsley - and brought the house down! George and his 'Uke' were inseparable from that point on.

In 1932, George made a record with the famous Jack Hylton Band. The 'A' side was called 'Do De O Do' and the 'B' side was a song called 'Chinese Blues'. When the record was released it was the 'B' side that became all the rage across the North and the Midlands and Formby adopted it as his signature tune renamed as 'Chinese Laundry Blues', complete with the now famous 'Mr. Wu'. 

In 1934, George made his first film, 'Boots! Boots!', which launched his film career. A contract to make 11 films for ATP at the Ellstree Studios soon followed resulting in George Formby becoming the most popular entertainer in the British Isles earning an estimated £100,000 a year.

A further contract worth Columbia to make seven films earned him a further £500,000.

Each of his films contained three or four songs which were invariably released as 78 rpm records and on sheet music. These included such titles as:- 'The Window Cleaner', 'Fanlight Fanny', 'Riding In The T.T. Races' and  'Leaning On A Lamp Post'.

He continued to entertain throughout the war as part of ENSA throughout Europe and the Middle East and was one of the first entertainers into Normandy after the invasion, where he was personally invited by General Montgomery to entertain the front line troops.

THE LEFT HAND SIDE OF EGYPT

http://www.youtube.com/watch?v=ZW4nM_s__nc

Have you ever seen the beauties of the Nile?
If you haven’t you would find it worth your while
But you have to take a little bit of care.
Let me tell you what occurred when I was there.

I saw a beauty of the Nile, throwing stones at a crocodile
On the left hand side of Egypt going in
She smiled at me she did, took me into a pyramid.
On the left hand side of Egypt going in

All sorts of things I saw, things I’d never, never seen before
Lucky there was nobody about

I took that beauty of the Nile, threw her in to a crocodile
On the left hand side of Egypt coming out
I saw a beauty of the Nile, throwing stones at a crocodile
On the left hand side of Egypt going in

That girl was all tattooed, pictures there on her "don’t be rude"
On the left hand side of Egypt going in
Tattooed upon her hips, she'd got beautiful battleships
Lucky there was nobody about

I'd tell you so much more but you know, careless talk would assist the foe
On the left hand side of Egypt coming out
I saw a beauty of the Nile, throwing stones at a crocodile
On the left hand side of Egypt going in

That night was dark but calm, we sat under a leafy palm
On the left hand side of Egypt going in
One kiss I had to grin, she'd got bristles on her chin
Lucky there was nobody about

She spoke to me in real broad Scotch, 'twas a kiltie from the old Black Watch
On the left hand side of Egypt coming out

I saw a beauty of the Nile, throwing stones at a crocodile
On the left hand side of Egypt coming in
Like the Sheik of Araby I took her into a tent with me
On the left hand side of Egypt going in

She stole my gold watchcase, the works I keep in a secret place
Lucky there was nothing else about
She stole the empty case alright, but I gave her the works on the following night
On the left hand side of Egypt coming out.