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DURAN-The Wedding Album/ARCADIA-Milton Nascimento-TAPE

Item condition:Good
Price:US $5.49
Approximately AU $6.02
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Other item info
Item number:300355968223
Item location:Valdese, North Carolina USA, United States
Posts to:Worldwide
Item specifics - Music: Cassettes
Artist: Duran DuranRelease Date: 23 Feb 1993
Record Label: Capitol/EMI RecordsGenre: Rock
Condition: GoodUPC: 077779887644
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Detailed item info
Track listing
1. Too Much Information
2. Ordinary World
3. Love Voodoo
4. Drowning Man
5. Shotgun
6. Come Undone
7. Breath After Breath
8. U.M.F.
9. None Of The Above
10. Femme Fatale
11. Shelter
12. To Whom It May Concern
13. Sin Of The City

Details
Playing time:62 min.
Contributing artists:Milton Nascimento, Steve Ferrone, Vinnie Colaiuta
Producer:Duran Duran, John Jones
Distributor:EMI Music Distribution
Recording type:Studio
Recording mode:Stereo

Album notes
Duran Duran: Simon LeBon, Nick Rhodes, John Taylor, Warren Cuccurullo. Additional personnel: Steve Ferrone (drums, percussion); Vinnie Colaiuta (drums); Bosco (percussion); Lamya, Tessa Niles, Karen Hendrix, Jack Merigg (background vocals); Milton Nascimento. Commonly known as "The Wedding Album" to differentiate it from their self-titled 1981 debut, 1993's DURAN DURAN was an unexpected commercial comeback for Simon LeBon, Nick Rhodes and John Taylor, spawning two hit singles, "Ordinary World" and "Come Undone," that were better than anything the band had done in nearly a decade. The rest of the album succeeds in subtly updating the classic Duran Duran sound without straying too far from their '80s chart-pop roots. The politicized "Too Much Information" and "Sin of the City" (concerning a disaster at a unlicensed New York dance club), are surprisingly aggressive tunes, but elsewhere, "None of the Above" and "Love Voodoo" are more traditional Duran fare. The album's two biggest surprises are the duet with Tropicalia superstar Milton Nasciemento on "Breath After Breath," and the surprisingly reverent take on the Velvet Underground's "Femme Fatale."

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You are bidding on ONE used, good condition cassette tape. (audiotape).

 This audio tape is ORIGINAL - NOT A COPY. It comes in the original tape's case in very good condition, (SMALL HOLE DRILLED INTO EDGE OF TAPE CASE AND THROUGH INSERT).

 

13 SONG SELECTIONS SEE BELOW-

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REVIEWS-

 

 

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 Duran Duran bombed quietly with 1990's "Liberty" and then disappeared for three years, leading many to think their careers ended with the Eighties. So everyone was shocked when in 1993 they stormed back to the top of the pop charts. Their comeback success was deserved: "The Wedding Album" is Duran Duran's most colourful, dynamic and diverse offering, and ranks with 1982's "Rio" as one of their best.

I can't quite describe my feelings upon hearing the dreamy, soaring ballad "Ordinary World" for the first time in early 1993. It was like an old friend had returned after an absence of many years. Over ten years later, this first single from "The Wedding Album" retains all its anthemic power.

And then a funny thing happened: the second single, "Come Undone," was just as good! For the first time in nearly ten years, Duran Duran had two hit singles from the same album. The comeback was complete.

Fortunately "The Wedding Album" is more than just a "singles" album. As they did with "Notorious" (1986) and "Big Thing" (1988), Duran Duran continues to break new musical ground. Standout tracks include the Latin-tinged Milton Nascimento collaboration, "Breath After Breath," the Prince-style funk of "U.M.F.," and the hip-hop/ambient fusion of "Come Undone" and "Love Voodoo." More than just experiments, these songs are thoughtful compositions that successfully synthesize diverse genres with Duran's inimitable melodic sensibilities.

A minor complaint about "The Wedding Album" is that the weakest tracks, "Drowning Man" and "Shotgun," appear early on, disrupting the record's consistency. But the album quickly recovers with "Come Undone" and never looks back. "The Wedding Album" ends with a bang: the incendiary "Sin of the City," an epic tune about the tragic Happyland dance club fire, is an angry and passionate statement about urban exploitation. It's a scathing social comment that dispels the notion of Duran Duran as self-absorbed pretty boys.

More than merely a commercial comeback, "The Wedding Album" reaffirms Duran Duran's place among the premier pop bands of their generation. The wait was worth it. __________________________________________________________________________________________________

Duran Duran came back out of nowhere in early 1993 with a new album and a huge hit, "Ordinary World." The group sounds more relaxed and mature than it did during their glory days, but not all that much has changed; instead of personifying the days of early-'80s synthesized dance-pop, the music is smooth dance-pop for the '90s. Taken on its own terms, Duran Duran works every bit as well as Duran Duran, Rio or Seven and the Ragged Tiger. "Ordinary World" and "Come Undone" are wonderful pop singles that sit between some passable album tracks and the occasional embarrassment, namely the wretched cover of the Velvet Underground's "Femme Fatale." In other words, Duran Duran are back and as good as they ever were.

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BIOGRAPHIES-

Duran Duran personified new wave for much of the mainstream audience. And for good reason, too. Duran Duran's reputation was built through music videos, which accentuated their fashion model looks and glamorous sense of style. Without music videos, it's likely that the band's pop-funk — described by the group as the Sex Pistols meets Chic — would never have made them international pop stars. While Duran Duran did have sharper pop sensibilities than their new romantic contemporaries like Spandau Ballet and Ultravox, none of their peers exploited MTV and music video like the Birmingham-based quintet. Each video the group made was distinctive, incorporating a number of cinematic styles to showcase the band as either part of the jet-setting elite ("Rio") or as worldly adventurers ("Hungry Like the Wolf"). While early videos like "Girls on Film" and "The Chauffeur" sparked controversy in England over their sexual content, their best-known clips were often based on hit contemporary movies. "Hungry Like the Wolf" uncannily recalled Raiders of the Lost Ark, while "Union of the Snake" and "The Wild Boys" brought to mind The Road Warrior. The clever videos helped make Duran Duran's rise to popularity remarkably swift. Between 1982 and 1984, they rocketed from underground British post-punk sensations to teen idols. But their fall from grace was equally fast. By the late '80s, the group's lineup had fragmented, and the remaining members had trouble landing hit singles. Nevertheless, the group pulled off a surprising, if short-lived, comeback in the early '90s as a sophisticated soft rock trio.

Inspired by David Bowie and Roxy Music, as well as post-punk and disco, schoolmates Nick Rhodes (keyboards) and John Taylor (guitar) formed Duran Duran in 1978 with their friends Simon Colley (bass, clarinet) and Stephen Duffy (vocals). Taking their name from a character in Roger Vadim's psychedelic sci-fi film Barbarella, the group began playing gigs in the Birmingham club Barbarella, supported by a drum machine. Within a year, Duffy and Colley both left the group — Duffy would later form the Lilac Time — and were replaced by former TV Eye vocalist Andy Wickett and drummer Roger Taylor. After recording a demo, John Taylor switched to bass and guitarist John Curtis joined the band, only to leave within a matter of months. The group placed an ad in Melody Maker, which drew the attention of Andy Taylor, who became their guitarist. However, Duran Duran were still having trouble finding a vocalist. Following Wickett's departure in 1979, a pair of singers passed through the group before Simon LeBon, a former member of the punk band Dog Days and a drama student at Birmingham University, joined in early 1980.

By the end of 1980, Duran Duran had become popular within the burgeoning new romantic circuit in England and had secured a record contract with EMI. "Planet Earth," the band's first single, quickly rose to number 12 upon its spring 1981 release. Immediately, Duran Duran became the leaders of the new romantic movement, becoming media sensations in the British music and mainstream press. The group's popularity increased through their cutting-edge music videos, especially the bizarre, racy clip for "Girls on Film." Although the BBC banned the Godley & Creme-directed video, the single became the group's first Top Ten hit, setting the stage for the fall release of their eponymous debut album. Duran Duran reached number three upon its release and stayed in the charts for 118 weeks. The band quickly followed the album with Rio in the spring of 1982. Rio entered the charts at number two, and its singles — "Hungry Like the Wolf" and "Save a Prayer" — became Top Ten hits. By the November release of the U.S.-only remix EP Carnival, the band were superstars in Europe, but only just beginning to make headway in America. Their exposure in the U.S. was helped greatly by the emergence of MTV, which put the group's stylish videos into heavy rotation. MTV's constant playing of the videos paid off, and "Hungry Like the Wolf" became a Top Ten hit early in 1983. Rio followed that single into the Top Ten, eventually selling over two million copies.

Duran Duran mania was in full swing across America, with "Is There Something I Should Know" reaching the Top Ten — it became the group's first English number one that summer — and the group's first album climbing its way to number ten. Duran Duran capitalized on their popularity by releasing Seven and the Ragged Tiger in time for 1983's holiday season. The record hit number one in the U.K. and number eight in the U.S., spawning the hit singles "Union of the Snake" and "The Reflex," their first number one U.S. hit and their second British chart-topper. The band took an extended break after completing their year-and-a-half-long international tour in the spring of 1984. In November, they released the non-LP single "Wild Boys," which reached number two in the U.K. and the U.S., where it was added to the live album Arena.

By 1985, Duran Duran fever was beginning to cool off, and after the band completed the title track for the James Bond film A View to a Kill, the group went on hiatus. Andy and John Taylor formed the supergroup the Power Station with vocalist Robert Palmer and former Chic drummer Tony Thompson in January, releasing their eponymous debut album in the spring; it spawned the Top Ten singles "Some Like It Hot" and "Get It On (Bang a Gong)." The remaining members of Duran Duran — Nick Rhodes, Simon LeBon, and Roger Taylor — responded with their own side project, Arcadia, which released an album called So Red the Rose in the fall of 1985; the album launched the Top Ten hit "Election Day." Early in 1986, Roger Taylor announced he was taking a year-long sabbatical from the group; he never returned. Several months later, Andy Taylor also left, reducing Duran Duran to a trio. Late in 1986, the band released Notorious, their first album in nearly three years. While it was relatively successful, going platinum in the U.S. and generating a Top Ten hit with the title track, it was noticeably less popular than their earlier records. For the remainder of the decade, Duran Duran's popularity continually declined, with 1988's Big Thing producing "I Don't Want Your Love," their last Top Ten single for five years.

The greatest-hits album Decade was released late in 1989, followed several months later by Liberty, the first Duran Duran album to fail to go gold. By that point, former Missing Persons guitarist Warren Cuccurullo had become a permanent member of the group. In 1993, the band returned from a prolonged hiatus with Duran Duran [The Wedding Album], a mature, layered record of lite funk and soulful adult contemporary pop that became a surprise hit. "Ordinary World" and "Come Undone" became Top Ten hits in America, with the former reaching the Top Ten in the U.K. as well; the album itself climbed into the Top Ten on both continents and went platinum in America. Not only did the record restore their commercial status, but it earned them some of their best reviews of their career. The group followed the album with one of their poorest-received efforts, 1995's all-covers Thank You, which managed to go gold in America despite its negative reviews. While Duran Duran was recording the follow-up to Thank You in 1996, John Taylor left the band to pursue a solo career, leaving the group a trio of LeBon, Rhodes, and Cuccurullo. That follow-up, Medazzaland, was released in 1997 but failed to produce any major hits. 2000's Pop Trash suffered a similar fate.

In March 2001, the three Taylors — Andy, John, and Roger — met up in Wales and worked with each other for three weeks. Around this time, rumors of a five-member reunion began to circulate. Two months after Rhodes and LeBon denied the rumors, the reunion was confirmed. Duran Duran recorded on and off for a new album over the next three years and also toured sporadically. After signing with Epic, they released Astronaut in October 2004. Red Carpet Massacre followed in 2007.

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Item location: Valdese, North Carolina USA, United States
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