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Item:Joe meek twin q - Dual mic pre eq compressor

Joe meek twin q - Dual mic pre eq compressor

mic pre eq compressor

Item condition:Used
Ended09 Nov, 200907:39:02 AEDST
Bid history:5 bids
Winning bid:AU $830.00
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Other item info
Item number:120486690554
Item location:sydney, New South Wales, Australia
Posts to:Australia
Item specifics
Condition: UsedBrand: Joe meek
Product Type: Rack Gear  
This unit it is in GREAT CONDITION, ORIGINAL BOX/MANUAL think I even still have all the packaging as well if not rest assured it will be very well packed, HAS HAD ONLY VERY LIGHT USE as I have a lot of other outboard gear. Have had no problems at all with this unit and it's sound is great. This unit is a pair of versatile channel strips that can add a bit of mojo to your recordings. Can send pics to you via email if you like feel free to ask any questions. Local pick up is welcome but will post at buyers cost. Unit is in TOP condition maybe a few rack marks around the ears but sold as is though it has NO ISSUES. GRAB A BARGAIN. FREE POSTAGE WITH BIN within Australia registered will be extra. LOCAL PICK UP WELCOME. GREAT PRICE FOR A UNIT THAT PERFORMS REALLY WELL. - The following Is directly from the Joe meek website: The Joemeek twinQ is everything you ever wanted in a dual studio channel - and then some! We started with high quality Burr-Brown IC's for the preamp, added an extremely musical EQ section and an optical compressor for that signature "Meek" sound. Then we included some new and innovative features, like an "Iron" switch that switches the IC front end to a transformer - completely changing the topology of the circuit. It even has 24bit, 96k A/D converters built in. All of this comes housed in a rugged 2u chassis with a beautifully sculpted aluminum faceplate. With sonic quality rivalling mic pre's priced thousands of dollars more, the twinQ sets a new standard for dual channels! Think of the twinQ as four separate pieces of equipment (twice!): A preamplifier A Joemeek optical compressor An equalizer A fadertwinQ Specifications Input impedances: Mic: 1.2kohm; Line: 20kohm; Instrument: 2Mohm Pre-amp overall gain: 0dB to 60dB Common mode rejection: 70dB Equivalent input noise: -128.5dBu (unweighted) Distortion: 0.001% (below Compressor threshold) Frequency response: 10Hz to 70kHz (-3dB) Maximum input before clipping: Mic: +21dBu; Line: +45dBu; Instrument: +21dBu Headroom before clipping: +21dBu High Pass Filter: 12dB per octave cut below 80Hz Compressor Threshold: +∞dBu to -20dBu (variable) Compressor Ratio: 1:1 to 10:1 (variable) Compressor Attack time: 1 msec to 100 msec (adaptive) Compressor Release time: 0.1 sec to 3 sec (adaptive) Compressor Make Up Gain: 0dB to 16dB (variable) EQ Boost & Cut: +/-15dB (zero phase-shift bell response) LF Frequency: 40Hz to 650Hz (variable) MID Frequency: 300Hz to 5kHz (variable) HF Frequency: 6kHz/12kHz (selectable) EQ “Q”: 0.9 (1.6 octaves) Output Gain: -∞dBu to +10dBu (variable) Nominal output levels: +4dBu/-10dBv (selectable) Output impedance: 75ohm Output Level switch: 12dB attenuation Noise Floor: -85dBu (typical, with ~40dB mic gain) VU Meter: Analogue movement Power supply: 115V / 230V ac mains, 50/60Hz Power consumption: 30W Mechanical: 482W x 88H x 220D (overall) Weight: 3 kilos Digital Interface The Joemeek Digital Audio Interface provides high quality digital audio outputs plus the ability to synchronize to an external word clock. The digital audio outputs are compatible with most digital recorders, as well as Digital Audio Workstations and digital mixers. S/PDIF format is available from both the optical and the RCA phono connectors, while the transformer coupled XLR connector provides an AES3 compliant output. The Joemeek Digital Interface has highly stable onboard master clocks for low-jitter, hi-fi results. Internal sample rates of 44.1kHz, 48kHz, 88.2kHz or 96kHz are selected by means of rear panel switches. 44.1kHz is the standard used for audio CD's, while 48kHz and 96kHz are widely used in recording studios. In general, the higher the sample rate, the better the audio fidelity, but the more disk space is required for the recording. For example, recording at 96kHz requires twice as much storage as 48kHz. Consult the manual of your recorder or DAW as to what sample rates it will accommodate. Alternatively the twinQ may be set to the frequency of an external master word clock, generated, for example, by the studio's recorder or DAW. When connected to the BNC socket provided, a suitable external word clock will be detected automatically and will override the twinQ's internal word clock. The front panel LED labelled 'EXT CLK' illuminates when the twinQ is successfully locked to an external word clock. To avoid distortion, care should be taken not to overdrive the input to the Digital Interface. The red LED next to the Output Gain control is labeled "PEAK FSD" which stands for "Full Scale Digital". Occasional flashes are OK but if it is on all the time, turn something down! Digital Interface Specifications Sampling: 24 Bit Sampling Rate: 44.1kHz, 48kHz, 88.2kHz or 96kHz (selectable) Output Formats: AES3 (balanced), S/PDIF electrical, S/PDIF optical External Word Clock input: 75ohm, 1.25V - TTL level, 44.1kHz to 96kHz (auto sync)
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Refunds by law: In Australia, consumers have a legal right to obtain a refund from a business for goods purchased (but not at auction) if the goods are faulty, not fit for purpose or don't match description. More information at returns.
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