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Roy A. Beck : Daniel Fleischhacker Russell J. Grandstaff : J.Thomas Sill Arthur E. Nemitz, Jr.
The authors have assumed that persons using this book will be engaged at the time of study in some form of dramatic production. We recommend that learning is best when it takes place in an experiental setting. These learning experiences may be related to full-scale production of one-act or three-act plays, ot they may be simple workshop experiences set up in the classroom environment. In addition to being designed for cast members of plays, the book is also intended to provide a comprehensive reference for directors. Even inexperienced directors can become fairly com- petent producers by giving the text a careful study. If directors will spend some time making models of sets, pract- icing with make-up, reading many plays, and making maximum use of expertise of others, the quality of plays will quickly improve. This book has been designed to cover all major aspects of play production from careful play selection to artistically and finan- cilly successful performances. Although the chapters in the text follow each other logically, they can be used independantly. Resource materials, bibli- ography. and workshop activites have been indicated at the end of each chapter.
This makes it a valuable and valued resource for actors, directors and Drama teachers.
Contents
Overview Of Play Production
A Play Is a Work of Arttists : What Is Play Production The Excitement of Play Production : Te Creativity of Play Production The Instruction That Play Production Offers Overview of This Book
Play Directing
What Is a Director? : The Role of the Director The Work of the Director : Pre-rehearsal: Analysis Pre-rehearsal: Consultations : Pre-rehearsal: Preparing the Prompt Book Rehearsal : Suggested Activites : Bibliography
Directing The Musical
Forming the Directoral Team : Selecting the Musical Production Rights and Budget : Auditions and Casting Rehearsing the Musical : Staging the Musical Numbers Other Areas of Consideration : Opening Night Publishers of Amateur Production Rights Musicals for School Production : Suggested Activites
Acting
The Voice : Being Heard : Being Understood : The Body What Every Actor Should Know : Building a Character Polish and Performance : Working with the Director Suggested Activites : Bobliography
Stagecraft
The Stage : Scenery : Methods of Staging : Desigining Scenery Arena Scenery : Making Scenery : Painting : Putting Scenery Together Properties : Using Plastic, Foam, and Metal Onstage : Stage Lighting Sound Systems : Sound Effects : Stage and Lighting Terminology Suggested Activites : Bibliography : Sources of Supply
Costumes And Make-Up
Costume Plot : Renting Costumes Borrowing Costumes and Adapting Modern Clothes Making Costumes : Make-up : Youthful or Straight Make-up Age or Character Make-up : Beards, Mustaches, and Sideburns Stylized Make-up : Suggested Activites : Bibliography
Play Selection, Try-Outs, And Casting
Play Selection : Sources of Plays : Questions to Consider Philosophy of Try-outs : Types of Try-outs : Types of Try-outs Preparation for Try-outs : Try-out Procedure : Special Considerations Casting : Philosophy of Casting : Ways of Casting : Problems of Casting Plays for Schools : Play Publishers and Addresses
Business Practices
Begin Early : Organization of the Business Crew The Business Manager : Publicizing the Play The Ticket Committee : House Management Suggested Activites : Bibliography
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