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SIGNED BARYE RACING HORSE MARE BRONZE SCULPTURE STATUE
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Description
This item selling in Upscale Art Galleries and Museum galleries for up to $1700.00 - $2500.00 when it can be found. This is a sophisticated Piece, perfect for any art lovers home, office, or place of business. Don't miss your opportunity to own this wonderful and rare piece, Buy it Now! Bid with confidence.
Think Bronze, takes pride in our superb collection of museum quality Bronze Statues, handpicked from the finest artistry using old world standards around the globe. The attentions to the intricate details of these luxurious works of art are amazing and the brilliance of the figures unsurpassed.
From art Nuevo to art deco, wildlife nature to equestrian, classical to contemporary, religious to renascence or nude, you will find a remarkable assortment of diverse Art forms and sizes, coupled with undeniable values makes Think Bronze a fantasy playground for art collector and lover in you.
This piece is by the famous French artisan, Anoine-Louis Barye. Due to its
natural companionship with man in both work and art, the horse has always held a
special place in history, ranking high marks of honor, reverence and symbolism.
Serving man in war, mobility, productivity, agriculture, development of all
kinds, the horse is by far one of the largest contributors to the enhancement of
civilization. With such recognition and accomplishments, a vast and diverse
trail of symbolic meanings follow the horse’s rich history with humankind. This
piece, which has been crafted with exquisite detail, features one of these
majestic creatures posed with his head down, possibly looking for a nice spot to
graze in. This is an excellent piece featuring the lost wax method of casting,
founded thousands of years ago ensuring an exquisitely detailed sculpture that
will add grace and beauty to your business or home. Get one for the animal lover
in your life. Signed "Barye."
Antoine-Louis Barye (September 24,
1796-June 25, 1875) was a French sculptor most famous for his work as an
animalier, a sculptor of animals. Born in Paris, Barye began his career as a
goldsmith, like many sculptors of the Romantic Period. After studying under
sculptor Francois-Joseph Bosio and painter Baron Antoine-Jean Gros he was in
1818 admitted to the école des Beaux Arts. But it was not until 1823, while
working for Fauconnier, the goldsmith, that he discovered his true predilection
from watching the animals in the Jardin des Plantes, making vigorous studies of
them in pencil drawings comparable to those of Delacroix, then modelling them in
sculpture on a large or small scale. The mass of admirable work left by Barye
entitles him to be regarded as one of the great animal life artists of the
French school, and the refiner of a class of art which has attracted such men as
Emmanuel Frémiet, Peter, Cain, and Gardet.
Condition: This sculpture is in good condition.
Bronze Dimensions with Marble Base:Height 14" x Width 14"
Marble Dimensions: 13" x7"
Height without base: 12 1/2"
Weight : 25 LBS
Inventory : 4956M07394
The Art of Lost Wax
Lost wax casting has been around for thousands of years, yet few people understand how the process actually works.
Although mechanization has facilitated the lost wax process of bronze casting, the procedure is basically the same as that used by the Chinese when they first developed the process in the 2nd millennium BC.
The Rubber Mold
First the artist creates an original sculpture out of any number of media, including stone, wax, clay, wood and pottery.
This image is coated with a silicone rubber molding material that makes two rubber mold halves (each rubber mold has a front and a back piece). A fiberglass outer shell is added to the back of each mold so it retains its shape and rigidity during subsequent uses.
These molds are the only components that are ever re-used in the casting process. All other components are re-created for each casting.
The Wax Positive
Once the molds are done, the insides are coated with layers of wax. The halves are then bound together and wax poured inside to complete the wax image being created.
Once the wax has cooled, the mold is peeled away, yielding a wax image (the wax positive") duplicating the original sculpture.
This image must then be "touched -up" to remove any seam lines, scratches or other flaws, as well as to recreate any pattern or texturing that was lost or damaged when the wax was made.
The quality of the finished bronze relies on a clean, high quality mold and an impeccably recreated wax image that is as near to perfect as possible.
Gating
The next step, "gating", is the application of a series of tubes and funnels that allow the molten bronze to flow through to the bottom of the ceramic shell and the hot gases to escape at the same time.
These sprus are created by attaching wax rods to the finished wax form at strategically spaced locations.
Ceramic Shell Casting
After the gating is completed each wax form is dipped in a liquid ceramic silica-sand compound so it is completely coated inside and out. Holes called "patches" have been cut into the wax to allow an entrance to the inside of the form.
The form is subsequently dipped 6 to 12 or more times over a period of several days until the desired shell thickness is achieved.
Lost Wax
Once these ceramic shells have dried thoroughly the pieces are placed into an autoclave and the wax is melted out (hence the term "lost wax"), to be reclaimed and used again. The shells are then cured in a kiln so they will withstand the temperature of the molten bronze being poured into them.
The Pour
Bronze ingots are melted to a temperature of approximately 2000°F and poured into the cured ceramic shells.
As the sculpture cools the ceramic shell begins to pop away from the bronze.
This shell will be completely broken away, using a hammer and chisel, before the superfluous metal materials are cut away.
Sandblasting
The casting is then sandblasted in preparation for metal finishing.
Any pieces of a sculpture that were cast separately are welded back onto the sculpture and any seam lines or other imperfections are removed or "chased".
Texturing
Finally, any texturing that was lost or damaged in the casting or welding process is recreated.
The sculpture is then polished in preparation for application of the patina.
Patinas
The different colored finishes that are possible on cast bronze sculptures are called patina's.
The various colors, patterns and textures obtained in the patina process are achieved through a combined application of chemicals and heat, augmented by hand stippling, or spraying with an air brush, and sealed with lacquer and waxes.
Limited Editions
Most bronzes are part of a "limited edition" containing a fixed number of castings.
This edition number is decided by the artist, usually after the first piece has been cast, and individually stamped on each piece (i.e. 1/100) thus concluding the process of bronze sculpture production.
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If that rare occasion arises where you feel you must return an item, please contact us at Return@thinkbronze.com for return instructions within Fifteen (15) days (by phone or email) of receipt of your item(s). Upon our receipt and inspection of the returned item(s), we will issue a refund for your item(s) if returned in the same condition as sent to you, excluding any shipping/insurance costs for which you were responsible. Buyer is responsible for return shipping/insurance costs, which will not be reimbursed for any reason. Returned merchandise must be received by us within seven (7) days of the date from which you contact us regarding the return.
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