Description
Susan Gibson Napaltjarri
LIKE MOTHER ~ LIKE DAUGHTER!
A POWERFUL PAINTING FROM NINGURA'S TALENTED DAUGHTER!
TITLE: Tingari Dreaming
PAINTED IMAGE SIZE: approx 600 x 600 mm [plus border for framing]
COMPLETED: 2009
MEDIUM: Acrylic paint on hand primed Belgian linen
THE PAINTING: In this absolutely stunning compact painting, Susan is depicting sacred stories [minyma] from the Tingari dreamtime that revolve around the role of women as healers and providers within the community. Using an strong simple palette of red lines and white dots, Susan has created a powerful piece of work. This painting could not help but command attention when hung on any wall - not to mention the possibility of increasing the value of any future investment portfolio. This compact striking piece is definitely one not to be missed.
NOTE: Please see other photos below.
THE ARTIST:
Born: c.1968
Region: Tjukurla [Western Desert]
Language Group: Ngaanyatjarra
Lives: Alice Springs
With the internationally celebrated artsists Yala Yala Gibbs as her father and Ningura Napurrula as her mother, Susan Gibson Napaltjarri was destined to become a famous artist in her own right. Having been taught by the best, Susan depicts aspects of her birth country surrounding Tjukurla in the Gibson Desert, Western Australia. Painting in a strong and powerful style reminiscent of her renowned father, Susan adds her own individualistic flair to his trademark Dreamings that are mostly associated with the secret Tingar cycle.
Susan’s works are fast gaining a well-earned reputation as examples of indigenous fine art of the highest order, and therefore, are proving to be highly collectable both here and overseas.
PROVENANCE: A Certificate of Authenticity with a photo of Susan signing her work that she has signed on the edge.
Please note the following terms and conditions that will help
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* All aboriginal works of art listed on our site are genuine hand painted originals and therefore may contain some perceived minor irregularities. However, any noticeable splashes or painted over areas are totally acceptable as they form part of the individual creative process and also help to confirm the identity of each particular piece.
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